Sunday in the Courtyard with Jack or Poetic Justice
October 13th, 2006It was a sunny September Sunday. The Dodgers were in a tight race. I was in loose boxers, sitting on my balcony in the hot sun with a cold beer and Vinny on the radio when I suddenly got up, put on some pants and left for…a poetry reading.
I’ve never been a particular fan of poetry. I blame this on a bad experience in high school and a dispute with an ancient mariner over the poeticism of William Carlos Williams’ “The Red Wheelbarrow.” 15 words he insisted, almost violently, were a poem, while I maintained they were a sentence.
Thus, in subsequent years, if a woman told me she wrote poetry, I saw a red flag. She may as well have lit up a cigarette; drowned infants in acid; or voted Republican. All that deep psychological meaning. Geez! Can’t you just put it in a sentence? And take off your sweater?
In truth, I’m not totally averse. My favorite poem was written by a fifth-grade classmate named Mary (at least that’s where I first heard it). “Roses are red; violets are blue; most poems rhyme; but this doesn’t.” So I get that they don’t have to rhyme. I just think it’s more fun when they do. I’ve always liked “The Road Not Taken” by Robert Frost. And I once had an affinity for “The Passionate Shepherd to His Love” by Renaissance English poet Christopher Marlowe (1564-1593). It begins “Come live with me and be my love, and we will all the pleasures prove,” and I read it to my first wife when I picked her up at LAX to begin our new life together. She was pretty drunk at the time, but I didn’t let that deter me. When we split up a month later, i tore up the poem.
I’d met the poetry-reading hostess the week before at the West Hollywood Book Fair. She’d given me a card with an example of her work, whch she called “prose poetry.” I like the piece, and I was intrigued. Might I be a Prose Poet and not know it? The hostess’s large breasts were just an afterthought.
I arrived at Dutton’s bookstore in Brentwood a little before three. After buying the obligatory bookstore-poetry-reading coffee drink, I found a seat in the courtyard, where maybe 15 people were gathered in front of a podium and microphone. A man who looked amazingly like Jack Nicholson, including the shades, but shorter than I imagine Jack to be, was passing out flyers for his own upcoming show of poetry and stories. He was wearing black pants and a black dress jacket with eight buttons, four sets of two, and a collar reminiscent of those “funny” suits the Beatles first wore. The hostess arrived in a long black dress which neither hid nor accentuated her bosom. She moved through the growing audience shaking hands and thanking people for coming and pretended well enough to remember me when I mentioned the book fair.
During the first few presenters, I found my mind wandering, specifically to the question “Why am I here?” And not in a metaphysical sense. Poetry does little for me, and it’s roughly the same with large breasts. But I perked up a bit when the third poet was a thoroughly lovely, wonderfully braless small-breasted woman in a hot-pink tank top. Even she couldn’t hold my attention. Well, not with words. Hers was not “prose poetry,” but what is–to me–standard: a jumble of associated and/or disassociated thoughts and images formed from words, phrases and oh-could-it-really-be a full sentence, all delivered in the poetic, supercilious, docu-rageaholic passion voice. Geez!
The opener was much the same in style, if not eye appeal. A graying Jerry Garcia lookalike, he delivered a lively rant on the failures of humanity, with particular respect to the war in Iraq. Heartfelt and meaningful to be surel; but I’d already watched Face the Nation and Meet the Press that morning. On a sunny Sunday, after the Dodgers had tied it when I parked my car, I didn’t need to be reminded that we’re basically screwed.
Between Jerry Garcia and the Hot Pink was a well-toned, bespectacled, thirtysomething man who had already mildly frightened me with his light blue T-shirt tucked into elastic gym shorts which left lots of space between their end and the top of his black socks. He looked like a survivalist on vacation. He introduced his poem as being from his book, a stapled pamphlet of which he had many in a clear plastic bag. I have no idea what his poem was about, but the intensity of his delivery made me even happier I was sitting several rows behind him. Before and after his reading, Intensity Man constantly seemed on the watch, whipping his head from left to right, like a squirrel. He enthusiastically applauded every presenter, cupping his hands for volume. After one women finished a tale of running from an abusive husband, Intensity Man shouted, “Yeah, let’s kick domestic violence in the nuts!” I was careful to avoid eye contact with him.
Amongst these Ginsburg wannabees was a fellow I took to be the first “prose poet” of the day. He began saying “Batwoman is gay,” and then proceeded to make several salient points why this fact is irrevelant to effective crime fighting. But why was this not an essay?
The hostess and Jack took turns MC-ing. A couple more poets did the usual not-much-for-me, and I started to feel I was being punished. And it was voluntary. I was plotting my escape route when I noticed, not far from the stage and clearly in view of all, Jack, perusing a newspaper—while a woman was poeticizing. How rude, I thought. I wondered how he’d feel if positions were reversed, and I considered asking him on my way out. But then one of the most attractive women in the crowd took the stage. I was mildly disappointed to learn she was a happily married mom. But I liked her reading, an entertaining piece on a high-school crush, and most definitely prose. Because she said so.
Then Jack took the stage and introduced himself. He was the best, in that he was the worst. Again, I have no idea what the poem was about, because the delivery was so intense. I couldn’t see what he was reading from, but it sounded like a literal line reading, one at a time, no matter if it was the middle of a sentence. A word, a pause; three words, a pause. And ever so dramatic! It was the very vision of Shatneresque, the Captain Kirk years.
There was a lesbian poet (isn’t there always?), and then Jack gave a gushing intro to a tall, youngish fellow who looked like he’d just gotten up. He hosts a poetry night in a bar, “which is where I think all poems should be written, in bars,” declared Jack, making me like him for the first time. Even better was the accuracy of Jack’s intro. This bar-host poet drew me in with words of sex, drugs and rock-and-roll. He even told a poem about a blunt. I went up to him after the show and got the address of the bar.
Another lesbian poet, then “the dean of the L.A. poetry scene”—who knew?—and then it was over. I wasn’t sorry, because it had been two hours, after all. But I also wasn’t sorry I’d come.
Though alarmed was I, en route to my home; as my rhythms internal beat much like a poem; that I’d heard; recently.
Dodgers won in the bottom of the ninth on Nomar’s grand slam. I saw it on the news.
